Venice!

Venice!
La Serenissima

Wednesday, August 22, 2012

Mexican Architecture


From pre-Columbian times to chic, minimalist modern

When you first visit Mexico, even if it’s just to Mexico City, you are immediately struck by the layers of history and culture reflected in its architecture. Interestingly, to my eye at least, Mexico’s modern architects combine the strong, geometric shapes of pre-Columbian constructions with the brilliance of the Colonial colour pallet. I am indebted, through  Google images, to several websites for supplementing our own photos of Templo Mayor, Plaza de las Tres Culturas, Rufino Tamayo and the work of Luis Barragan. The specific websites are noted through and at the end of this story. If you Google Mexican contemporary architects, you will find a fabulous range of sites featuring modern designs including houses, offices/commercial buildings and chapels.


Pre-Columbian architecture

You just need to go to the Zocalo and head towards the Templo Mayor, where you will see ruins of an Aztec temple unearthed in the 1970’s. It stands in the heart of Tenochtitlan, which was nearly, but not quite, destroyed by the Spaniards.

On the outskirts of Mexico City is Tlatelolco, the twin city of Tenochtitlan, where you will find Plaza de las Tres Culturas which reflects the mix of modern, colonial and pre-Columbian architecture located in the same space.

Further afield, you can see Teotihuacan, regarded by some as one of the ancient world’s most impressive cities. It was established before the Christian era, was about 20 square kilometres in size. It is thought to have been abandoned around AD650. The reasons for this are not clear, but there is some speculation about disease infestation or perhaps prolonged drought, which made life unsustainable. Whatever the cause, there is little known about its creators or the people who lived there. Later the Aztecs held the site in great reverence. What is clear is its enormity and majesty that we can see through its pyramids, temples, palaces and avenues.


Although not quite on the same grand scale, is the great Zapotec site of Monte Alban. Strong geometric lines characterise the temples and pyramids.



Spanish Colonial architecture

Then there are many architectural delights from the Spanish colonial period, which is not only in evidence in Mexico City but also places like Puebla, Guadalajara, Queretaro, Guanajuato and San Miguel De Allende. Buildings are characteristically graceful and elegant, with use of colour and internal gardens a hallmark.






Classical and modern architecture

Equally, a major cultural institution such as Bellas Artes, whilst influenced in its exterior design by the Paris Opera, its interior is firmly art deco.







... and the beauty of the staircase in Mexico City's main Post Office




20th century architecture


It would be wrong to exclude the beauty and inventiveness of Mexico’s modern architecture. It confounds me why there hasn’t been more acclamation for modern Mexican architects since the 1960’s. Ranging from designs for houses (Casas) and haciendas, probably most famously done by one of Mexico’s great and influential architects Luis Barragan, to commercial buildings and museums, the architecture is characterised by boldness, colour and simplicity. 



There are many examples, but one is the entrance to Museo Antropologia in Mexico City. An enormous fountain supports the large roof area that marks the entrance but also forms part of a central courtyard. It is one of the largest single pieces of concrete supported by one column in the world.

Wikipedia describes it: "Designed in 1963 by Pedro Ramírez Vázquez, Jorge Campuzano and Rafael Mijares, it has an impressive architecture with exhibition halls surrounding a patio with a huge pond and a vast square concrete umbrella supported by a single slender pillar (known as "el paraguas", Spanish for "the umbrella") around which splashes an artificial cascade. The halls are ringed by gardens, many of which contain outdoor exhibits. The museum has 23 rooms for exhibits and covers an area of 79,700 square meters (almost 8 hectares) or 857,890 square feet (almost 20 acres)."

Angie Galicia from Inside Mexico Publishing further elaborates: "The inverted fountain, also located in the central patio, is a marvelous sculpture that records on its metal column, the two races who merged, the Indigenous and the Spanish,  to create a new nation. And around this pillar a circular curtain of rain falls gently, endowing the whole place with a fresh coolness and solemnity."


Iconic artists and architects – Tamayo and Barragàn 

Another equally impressive museum is the Museo Rufino Tamayo, located in Chapultapec Park. This modern architectural jewel displays works of the artist himself as well as temporary exhibitions. The museum is reviewed on Trip Advisor (Museo Rufino Tamayo - Mexico City - Trip Advisor) and also Wikipedia (Museo Rufino Tamayo - Wikipedia, the free encyclopedia). The photos shown here are from Trip Advisor.

 




Luis Barragàn 

The Design Museum (www.designmuseum.org)  describes Luis Barragàn (1902-1988): (He) " was one of Mexico’s most influential 20th century architects. Famed for his mastery of space and light, he reinvented the International Style as a colourful, sensuous genre of Mexican modernism.

Barragán transformed the International Style into a vibrant, sensuous Mexican aesthetic by adding vivid colours and textural contrasts and accentuating his buildings' natural surroundings.He once said that light and water were his favourite themes, and soon became skilled at manipulating them both in buildings like the 1966 Folke Egerstrom House and Stables built around a brightly coloured, sculptural sequence of horse pools (Barragán loved horse riding) and the 1975-77 Francisco Gilardi House framing an indoor pool. Info source:www.designmuseum.org


If you Google Luis Barragan photos, you will see a huge repository of examples of his work. Quite a visual feast!


Here are some examples of his work.










Museo Soumaya

The museum opened in March 2011. It is not only an extraordinary piece of architecture from the outside, but has an open and vast feel inside, very suitable for exhibiting large sculptures such as those by Rodin.











The New York Times, in it's blog tmagazine, said "(for) the museum’s founder, Carlos Slim Helú, building the museum was labor of love." He is "the world’s richest man (who is also a creditor and minority shareholder of The New York Times Company), and the museum, named after Slim’s late wife, has certainly got the city — and the art world — talking."  The opening gala was attended by President Calderón and Gabriel García Márquez. (The museum is free to the public.)"





"The loudest part of the buzz about Soumaya is the love it-or-hate it design by Slim’s architect son-in-law, Fernando Romero. The building resembles a trapezoid in motion, which Romero, who has worked at Rem Koolhaas’s firm, covered in 16,000 hexagonal aluminum plates that reflect sunlight, most beautifully at sunset. The structure also cribs features from some of the world’s top museums, including a grand Met-like exterior staircase that has already become a place to meet and snap photos, and stark, all-white interiors that recall New York’s Guggenheim — you take the elevator to the top floor and descend via ramps.


Though Slim’s collection is reportedly 70,000 pieces strong and worth $750 million, the six floors and 183,000 square feet of exhibition space showcase only a fraction of it at any one time. The top-floor sculpture garden, dominated by a spectacular skylight, displays numerous Rodins (Slim is said to have the largest collection outside France), and elsewhere are paintings and murals by Diego Rivera and David Alfaro Siqueiros, as well as works from Miró, Van Gogh, Botero, Matisse and El Greco. The museum also has a 350-seat auditorium, a public library, a gift shop and a cafe."



Playful street art


Finally, Mexico’s streetscapes reflect particularly the influence of colonial architecture but also include some interesting modern twists and playful humour. An example of this is the street sculptures in Mexico City. An illustration is a series of public seats, Dialogas de Bancas, which are based on whimsical themes, such as playing cards, a boat, and a seat topped by an inverted seat with people sitting on it!






Decorative, imaginative and practical – all at once!

A final example of the Mexican architectural ingenuity is El Caballito – a bright yellow, modern sculpture of a horse's head. It partly commemorates a much older sculpture of the same name, by Manuel Tolsa,  which is now displayed in the plaza outside Museo Nacional de Arte. But the modern version performs a practical purpose. It is a vent for the main sewer through Mexico City!


Wikipedia states that  the modern El Caballito stands in front of the "Torre del Caballito, a skyscraper located on the Paseo de la Reforma #10 at the Cuauhtemoc delegation in Mexico City. It was designed by Grupo Posadas de Mexico. It is 135 metres (443 feet) and 35 storeys tall. 33 of the floors are used as office space which measures 60,000 square meters. It also has 15 underground parking levels. The building's total area is 131,000 square meters.”


Manuel Tolsa’s original statue is commonly known as El Caballito, meaning "little horse." It was originally placed in the Zocalo but when Mexico gained independence, the nation's first president, Guadalupe Victoria, had it removed. It resided in several different locations before being placed here, in the Plaza Tolsa, in 1979.

The impressive building behind the statue was completed in 1911 and since 1982 has housed the National Art Museum (Museo Nacional de Arte), which has a large collection of Mexican art, primarily paintings showing Mexico's art development between 1810 and 1950.


The photo of the original El caballito, taken by Bruce Herman, is included in the following link:





Links and resources



Luis Barragàn 


Casa Antonio Galvez, by Luis Barragan, at San Angel, Mexico, 1954.


Casa Luis Barragan, by Luis Barragan, at Tacubaya, Mexico, 1947.




Museo Soumaya




http://tmagazine.blogs.nytimes.com/2011/04/14/now-dazzling-museo-soumaya-in-mexico-city/

 

http://www.guardian.co.uk/world/gallery/2011/mar/02/soumaya-museum-mexico-city

 

http://www.independent.co.uk/arts-entertainment/art/features/soumaya-museum-move-over-mr-getty-2254556.html



Mexican architecture

en.wikipedia.org/wiki/Category:Mexican_architecture
Wikimedia Commons has media related to: Architecture of Mexico ... Art Deco architecture in Mexico‎ (9 P) ... Buildings and structures in Mexico‎ (45 C, 12 P) ...

Mexican Architecture, Mexico City Buildings, Mexican Buildings ...

www.e-architect.co.uk/mexican_architecture.htm
Mexican Architecture, Mexico City Buildings, Architects, Images, Guide, Mexican Building, Designs, News, Projects.

Mexico City's Hottest Buildings: Eclectic, Unusual Architecture ...

images.businessweek.com/ss/10/01/0125_mexico...buildings/1.htm

A virtual tour of Mexico City's diverse, often show-stopping architecture.



Architecture of Mexico – general

Hotel Camino Real, by Ricardo Legorreta, at Cancun, Mexico, 1973 to 1975.
Houses in Mexicali, by Christopher Alexander, at Mexicali, Mexico, 1975 to 1976.
Los Manantiales, by Felix Candela, at Xochimilco, Mexico, 1958.
Monte Alban Complex, by unknown, at Monte Alban, Mexico, 100 to 800.
Teotihuacan, by unknown, at Teotihuacan, Mexico, 200 to 800.
UNAM Library, by Juan O'Gorman, at Mexico City, Mexico, 1953.
Uxmal, by unknown, at Uxmal, Mexico, 800 to 1400.


gomexico.about.com/od/mexicocity/tp/mex_city_sights.htm

National Council for culture and the arts, Mexico:


Luis Barragàn 



Museo Antropologia




Monday, June 11, 2012




Viva Mexico!!


I would be rich if if I had a dollar for every time someone has said to me “.. but is Mexico safe?” “What about all the people who die there? Shootings, stabbings and worse …?” “Isn’t it a dangerous place?”

Well, guess what? Most ordinary Mexicans feel terrible about the criminal activities of the drug cartels too. They are horrified by the murders and torture and the shocking power that the drug cartels wield. Their concern is for the families and friends of those brutally murdered. Their concern is also for their country and it’s reputation around the world.

People’s fear of Mexico around the world results most noticeably in there being less visitors to their country, with the consequent results of less foreign money coming in through tourism. This in turn has a huge impact on so many industries – hotels and hospitality, transport, restaurants, cafes and food vendors, the retail sector generally, then all of the ancillary areas that keep tourism going – reception and waiting staff, cleaners, delivery people, ticket sellers at train stations, drivers … the list goes on.

Actually, the real dangers are confined to specific areas in the north, near the US border and in the south, in the jungle, and the battles are between rival gangs. Of course you wouldn’t want to get caught in the crossfire, but this is unlikely if you chose carefully the places to visit. There’s about 95% of Mexico that you can visit without too much worry – except for the usual vigilance you should have when traveling anywhere.

So, what’s the attraction?

Mexico is a colourful and beautiful place, with dramatic contrasts in its natural landscape, from deserts and scrublands to tropical rain forests, from active volcanos to beautiful beaches on the Pacific Coast and the Caribbean, from mangrove swamps and coastal lagoons to mountains (more than half the country is over 1000 meters above sea level). Its history is rich – with many different civilisations from the pre-Hispanic period and the multicultural mix that has arisen from Spanish colonial times to the present.







Human habitation in Mexico dates back some 20,000 years. The pre-Hispanic era, which covers about 3,000 years, includes many different major indigenous groups. These included are the Olmecs, who occupied the Gulf area around Veracruz from 1200 to 900 BC; then from around 300 BC the Zapotecs, followed by the Mixtecs, occupied the valley of Oaxaca, including Monte Alban: the Iztapa, whose temple centre was on the Pacific coast near Chiapas appeared around 200 BC; the Mayans, who were found mainly in the south-east of Mexico, in Chiapas, the Yucatan Peninsula and Central North America, flourished from about 250 AD to 900 AD; the Toltecs dominated the areas of Tula and Hidalgo from around 900 AD to 1100 AD; and the Aztecs, admired by many Mixtecs, occupied Central Mexico from 1400 AD to 1600 AD.

















Outside of Mexico, perhaps the Aztecs are among the best known, through popular culture and legend. Interestingly, in Mexico, these people were not known as Aztec, but rather Mexica (pronounced Meshika) and we can recognise that the country and its capital city take their names from them.

Their capital was Tenochtitlan and Mexico City is built on its ruins. Tenochtitlan was built on one of several islands that surrounded a lake which the Spanish filled in to form what they thought was a firm surface. The funny thing is that because the ground remains soft because of the subterranean water, ancient Mexico, including Aztec artefacts and buildings, continues to rise up to ground level! So the culture that the Spaniards vanquished is still present and powerful. The fact that Mexico City sits on a lake also explains the constant construction and preservation work that goes on there, pretty much continually, to stabilise the otherwise higgledy piggledy historic buildings, such as the Cathedral in the Zocolo.

It is easy to see on the faces of Mexican people the underlying indigenous features, even if blended with Spanish and other European genes. For instance people with Olmec heritage tend to be rounder, more compact people. Those with a Mayan background tend to be taller, slimmer with quite dramatic angular faces and longer noses.

So, what will Adventures in the World cover about Mexico in the next weeks?

Architecture and sculpture

The ancient architecture is fascinating. The Mayan and Aztec temples and pyramids are dramatic and bold; the huge Olmec sculptures of heads, carved out of massive granite blocks are stunning. Mystery surrounds just how these ancient peoples accomplished building such places and objects. For instance, the builders of the enormous structures at Teotihuacan remain unknown to us. History tells us that the Myans found the place and occupied it for a few hundred years, but its existence pre-dates them.

Equally, the modern architecture shows imaginative flair with a mix of straight lines and sensuous curves. The use of colour is also striking in building decoration whether it's a large public structure or a private home. This is a consistent feature from ancient times to the present.

People and street life

Family is central to the Mexican life, closely followed by the church for many. Sunday is a big family day in Mexico City – home to about 25 million people – and many of the main museums have free admission on that day. Consequently, most of the cultural venues have large crowds throughout the day. Chapultapec park, and enormous public park situated on a hill at the end of Paseo de la Reforma ( a huge, wide boulevard) is packed with families of a Sunday – all generations out together, enjoying the environment and, it would seem, each others company.

Landscapes, gardens and courtyards

The landscape is varied, as I have already pointed out, so the textures and colours are strikingly different. Gardens are important – even if your place is in a fairly barren and harsh landscape, chances are you’ll have a brilliantly coloured bouganvellia trailing over a pergola or shed! Then there are specially planted gardens, conserving and displaying indigenous plants, such as The Indigenous Botanical Gardens in Oaxaca. Probably one of the most photographed thing in Mexico is the traditional Mexican courtyard, ablaze with plants and painted tiles. They are at once inviting and cooling – a place of refuge.

Colour

The use of colour, contrasting and even clashing shades, permeates so much of Mexican life. From furnishings, tiles, paint on buildings, people’s clothes, household objects to public building and sculpture – COLOUR dominates.













Useful links for Mexico

I have drawn on some of the following materials in compiling this piece on Mexico.
Wikipedia is a good, quick source of information. It shows you clearly where their research may need further expansion or verification. Of course, if you are more of a serious scholar, then there are many references for Mexican istory.

Here are some very useful pieces from Wikipedia giving an overview of indigenous peoples of Mexico:


There are also separate references for particular groups of people, such as Mixtecs, Aztecs and Toltecs




DK travel guides are wonderfully presented and easy to follow.  They cater for people who like to have ‘a book” as well as helpful websites. The link for their Mexican guides is:


Lonely Planet possibly caters to a younger audience, again in book or web form. Their link for a selection on Mexico is: